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To Turn the Perfect Wooden Bowl

The Lifelong Quest of Bob Stocksdale
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Product Type: Book

Description

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A unique look at the life of a woodturning legend - Bob Stocksdale. Using text transcribed from audio tapes and never-before-seen photographs, the author reveals Stocksdale's bowl turning techniques, his life's story, and much more.

Details

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Pages 160
Publish Date 2009-05-01
Series  
Size 8.0" x 8.0" x 0.34"
Author Ron Roszkiewicz

Reviews

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classical" movement in the woodturning field in the future, that celebrates Bob's aesthetic and brings balance to the field."
"I came to know Bob and Kay during the decade I was managing del Mano Gallery and my wife and I would drive up to visit them often. In the years since, I've found that the aesthetic embraced by Bob and his fellow pioneering woodturners has given way to works that are overly tricky and clever. Although I'm a fan of a lot of the sculptural work being created today, I feel that something has been lost in the move away from fine bowl forms in beautiful woods and believe that we'll see a "neo
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some 50 examples of his work. The "perfect" bowl of the title may not be among them, but you can quickly see what shapes and curves obviously captivated Stocksdale, because they occur repeatedly. What's also striking to me is how carefully Stocksdale shaped his bowls so that the wood grain and figure had maximum impact. That's no accident. Roszkiewicz writes: "Bob Stocksdale's approach to bowl making was workmanlike and efficient. Wiith each cut, new wood emerged and he often stopped to calculate the effect of continuing on the current path or altering the design." To Turn the Perfect Wooden Bowl won't teach you woodturning technique. But the inspiration and insight it does provide are worth it all.
A few weeks ago, I wrote about drawing inspiration for my woodturnings from the work of Bob Stocksdale, one of the most influential woodturning artisans of the past 50 years. No less a luminary than Sam Maloof says, "As far as I'm concerned, Bob Stocksdale was the father of American woodturning." A new book, scheduled to be published soon by Fox Chapel Publishing, offers up an in
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it's a snapshot of an American original.
About the Author: Ron Roszkiewicz began his career in the woodworking industry 30 years ago with Woodcraft Supply. He became an integral figure in advancing woodturning in the United States by discovering and importing much of the innovative turning tools relied upon by woodturners today. He has also written The Woodturner's Companion and TheWoodturner's Art. About the Book: During the woodturning renaissance of the 1970s, one man emerged as the inspiration for scores of newwoodturners.His namewas Bob Stocksdale. Extraordinarily talented, Stocksdale began turning bowls in the 1940s andwas a master at finding the natural beauty in wood. This unique talent, combined with his gifted use of simple tools, became the trademark of his work. With pieces in the Smithsonian and the Metropolitan Museum of Art, he became an unassuming celebrity who set the standard for woodturning excellence. In 1987, author Ron Roszkiewicz had the once in
i
it's a snapshot of an American original.
About the Author: Ron Roszkiewicz began his career in the woodworking industry 30 years ago with Woodcraft Supply. He became an integral figure in advancing woodturning in the United States by discovering and importing much of the innovative turning tools relied upon by woodturners today. He has also written The Woodturner's Companion and TheWoodturner's Art. About the Book: During the woodturning renaissance of the 1970s, one man emerged as the inspiration for scores of newwoodturners.His namewas Bob Stocksdale. Extraordinarily talented, Stocksdale began turning bowls in the 1940s andwas a master at finding the natural beauty in wood. This unique talent, combined with his gifted use of simple tools, became the trademark of his work. With pieces in the Smithsonian and the Metropolitan Museum of Art, he became an unassuming celebrity who set the standard for woodturning excellence. In 1987, author Ron Roszkiewicz had the once in
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2002) is arguably the dean of American woodturners. His selection of material, masterful technique, and attention to detail set the gold standard for wood turning excellence from the early 1970's onward. An intimate look at the turner, his approach to wood turning, and his life long quest to turn the perfect bowl.
Bob Stocksdale (1913
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2002) is arguably the dean of American woodturners. His selection of material, masterful technique, and attention to detail set the gold standard for wood turning excellence from the early 1970's onward. An intimate look at the turner, his approach to wood turning, and his life long quest to turn the perfect bowl.
Bob Stocksdale (1913
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step instruction and excellent advice on how best to turn a bowl and platter, as well as how to sharpen tools, sanding and finishing tips. This is a very unusual publication and is perfect if you are looking to learn more about the Father of American woodturning.
For the carvers among you that like to dabble with turning, then take a look at this book, based on the story of Bob Stocksdale who emerged as the inspirational figure for many new woodturners during the 1970s. Stocksdale became known for his wooden bowls,and was a master at finding the natural beauty in wood. The pages reveal an in
s
step instruction and excellent advice on how best to turn a bowl and platter, as well as how to sharpen tools, sanding and finishing tips. This is a very unusual publication and is perfect if you are looking to learn more about the Father of American woodturning.
For the carvers among you that like to dabble with turning, then take a look at this book, based on the story of Bob Stocksdale who emerged as the inspirational figure for many new woodturners during the 1970s. Stocksdale became known for his wooden bowls,and was a master at finding the natural beauty in wood. The pages reveal an in
t
the next step in my turning education. Besides that, how can you pass up a book with a whole chapter on proper exercises before beginning work? Ellsworth starts his turning classes with everyone stretched out flat on their backs on the floor. He also has a small trapeze in the ceiling of his shop which he uses to hang by his hands several times a day to keep loose and flexible when he is working at the lathe. And I don't think I have ever seen instruction on how to plant your feet versus your elbows and hands while holding the tool at the lathe. Who would've thought? I think the main thing I get out of books like these is "possibility." Somehow I can fool myself into thinking that if those guys can do it, then I can do it. Seeing it broken down into steps and watching someone do it just opens up all those possibilities to me, and I am empowered to start. Once started, I find that I can usually get better and then off I go. I promise not to buy a book on brain surgery.
I have always been a book kind of guy and on many subjects I would almost as soon read about it as do it. There are dozens of books in my home on many topics of interest, but as you can imagine, woodworking and turning are two of my favorites. I was cleaning out a few books a while back and came across an old favorite from some years ago. It was published by the National Geographic Society in 1975 as part of a series on many different topics. This one is called "The Craftsman in America" (now out of print) and as I thumbed back through it I realized that much of what I love to work on and really admire springs from this book. In the introduction, Gilbert M. Grosvenor captures what I think may be the feelings of every craftsman in the world: "Every morning when I dress for work, I smile smugly at the quiet, smooth way my chest of drawers opens and closes at a slight touch of a fingertip. The early sun's rays reflect the warm matched grain and the rich color of the wood. My pleasure goes beyond mere ownership, for I built that chest myself from teak I imported from Burma and carefully aged in my basement workshop for two years." I know exactly what he meant. I have a table I made at the back door, a lamp table in the den, a clock in the hall and another on the mantle, all of which I made with these two hands and enjoy every day. Bowls I make for sale sit in my dining room so I can see and touch them every day and sometimes I consider keeping all of them. Would you sell your children? In the National Geographic book from 1975, they featured Sam Maloof, who died only recently after a long career in woodworking. We should all be so good; that was 35 years ago and he was well known even then. Of course there were many other craftsmen in the book, among them, Bob Stocksdale, wood turner extraordinaire. In fact, in the picture of Maloof's furniture, the bowls on the table were by Bob Stocksdale, taken in trade for some Maloof furniture. What a deal on either side of that exchange! I bought a book at Highland last week about Bob Stocksdale and it is quite well done. The title is Turn the Perfect Wooden Bowl, the Lifelong Quest of Bob Stocksdale by Ron Roszkiewicz. It is a perfectly delightful little book, full of color photos of bowls plus many other photos of Stocksdale at work. Apparently he was not always a very social fellow; he just wanted to work in his shop and not be bothered by guests, students or writers. He collected wood from all around the world and when he passed away a few years ago, his shop was filled with literally tons of wood. Some of it was good and some of it was not and some of it was good firewood. That didn't bother him, because as he explained, he had two fireplaces. I like that. Another book I really enjoy is Ellsworth on Woodturning, subtitled "How a Craftsman Creates Bowls, Pots & Vessels" by David Ellsworth. This is a big glossy book by another master of the craft. Ellsworth is the inventor of the eponymous Ellsworth Signature Gouge, which is one tool I have not managed to purchase yet, but I admit I am intrigued by it after reading this book. This is more a reference book than some you see, and I intend to make this a step
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person show. It was an honor to show with him at that time as it is now to have my work appear alongside his in the collections of many museums. Bob was unphased by the new attention being focused on woodturning, and unswayed by the new generation's impatience with the traditions of craftsmanship. Throughout his long career, he maintained the same focus and pure vision, producing bowls whose form and grace hold their own against the backdrop of contemporary innovation and stylistic exploration.
I have always regarded Bob Stocksdale as the consummate craftsman, the epitome of old world craftsmanship in "the new world." During the time that the studio woodturning movement was developing within American craft, Bob was already long established as a highly successful and respected professional woodturner, in a league all his own. My professional relationship with Bob began in 1978 when our work was exhibited, along with that of my father and Ed Moulthrop, in a show at the Renwick Gallery, the first exhibition of studio woodturning held by a major museum. The following year, I met Bob for the first time when The Elements Gallery in New York gave us a two
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and I am one of those people. I'm disappointed that I was never able to include one of Stocksdale's peices in my collection. I recommend the book to anyone who is interested in the history of woodturning and wants to look into the daily life of one of the true masters of the lathe. I read a prepublication copy of the book and the price was unknown at the time. I am looking forward to its publication date, because this book with definately be added to my library.
Many consider Bob Stocksdale to be the father of American Woodturning, and this book is about his lifelong quest to turn the perfect bowl. Bob Stocksdale never wrote a "how to turn" book in his lifetime and was one of the few big name turners who never did. The only other contemporary turner in the same league with Stocksdale is David Ellsworth, who had never put his techniques and philosophies into book form until his recent publication. Bob Stocksdale's work was one of the first I was able to recognize by sight. His classical forms were perfectly executed and flawlessly finished, and they left no doubt as to who made the vessel. Working mostly by himself
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and I am one of those people. I'm disappointed that I was never able to include one of Stocksdale's peices in my collection. I recommend the book to anyone who is interested in the history of woodturning and wants to look into the daily life of one of the true masters of the lathe. I read a prepublication copy of the book and the price was unknown at the time. I am looking forward to its publication date, because this book with definately be added to my library.
Many consider Bob Stocksdale to be the father of American Woodturning, and this book is about his lifelong quest to turn the perfect bowl. Bob Stocksdale never wrote a "how to turn" book in his lifetime and was one of the few big name turners who never did. The only other contemporary turner in the same league with Stocksdale is David Ellsworth, who had never put his techniques and philosophies into book form until his recent publication. Bob Stocksdale's work was one of the first I was able to recognize by sight. His classical forms were perfectly executed and flawlessly finished, and they left no doubt as to who made the vessel. Working mostly by himself
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step instructions from the artist are designed to help woodworking novices and carpenters "find the natural beauty in the wood," and newspaper clippings and personal correspondence from the artist are also included. (Annotation 2009 Book News Inc. Portland, OR)
Roszkiewicz, an independent author, spent a week in 1987 with master woodturner Bob Stocksdale in order to document his life and work, and this illustrated volume was transcribed directly from the audiotapes of the original interviews. The author includes dozens of photographs to illustrate Stocksdale's methods for turning wooden bowls into unique works of art that have been shown in such places as the Smithsonian and the Metropolitan Museum of Art. Step
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1. pap. $24.95. ART INSTRUCTION Born on an Indiana dirt farm in 1913, Bob Stockdale was a pioneer in the art of fine wooden bowls, legendary for his exotic woods, unique shapes, and sumptuous finishes. Stockdale described his methods in a Q&A format to author Roszkiewicz before his death in 2003 at the age of 89. Valuable for those who make or love crafts.
Roszkiewicz, Ron. To Turn the Perfect Wooden Bowl: The Lifelong Quest of Bob Stocksdale. Fox Chapel. 2009. c.160p. illus. ISBN 978
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step instructions supplied by Bob Stocksdale and his excellent advice on how best to turn a bowl and platter, as well as sharpening tools, sanding and finishing tips. This is a very unusual book and is perfect if you are looking to learn more about Bob Stocksdale himself.
This book is based on the story of Bob Stocksdale who emerged as the inspirational figure for many new woodturners during the woodturning renaissance of the 1970s. Stocksdale became known for his wooden bowls and was a master at finding the natural beauty in wood. The book, written by Ron Roszkiewicz was written following a one week stay in Stocksdale's home workshop. It describes his life and works, and also features never
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one generation reaching out to the future and sharing its passion and vision.
This book shares the life and work of Bob Stocksdale, an artist who led a quiet revolution in the field of contemporary craft. The impact the artist has had on tile field of contemporary woodturning is undeniable and this small volume will undoubtedly make his approach accessible to future generations of woodtuners. The home and srudio Stocksdale shared with his wife, fibre artist Kay Sekimachi, was a testament to both his work ethic and embrace of a modest lifestyle. Every morning, following breakfast, the two would "go to work"
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answer format, Stocksdale explains how he stored and selected wood, shares techniques, and much more.
TO TURN THE PERFECT WOODEN BOWL: THE LIFELONG QUEST OF BOB STOCKSDALE, by Ron Roszkiewicz, is a unique look at the life of the late Bob Stocksdale, a pioneer in the wood art movement. Using never
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turners out there, his tips and tricks to turn that perfect bowl. In one of the quotes, Mr. Stocksdale says that he tries to bring out the inner beauty of the wood. Perhaps this is what makes him an exceptional artist. Throughout the pages of the book, we see one example after another where he seems to be connected with the wood, knowing what lies within the outer layers. As I read the book I was reminded of Michelangelo saying that, with his statue of David, he just chipped away anything that wasn't David! That special connection that an artist has with the material he is working with takes a beautiful piece of work and makes it exceptional. Here at LumberJocks.com our members share their personal journeys of attaining this level of connection with wood. Some of us may never reach that pinnacle but will definitely enjoy the journey, especially when we are inspired by such work as that of Bob Stocksdale and books such as To Turn the Perfect Wooden Bowl. My Ratings of The Book Layout and Appearance: Wonderful balance of photographs, interview questions, and quotes from letters and news clippings. Thumbs Up! Instructions: Lots of tidbits of information tucked away in the interview. Thumbs Up! Inspiration: "in leaps and bounds". Thumbs Up! Overall: Thumbs Up!
When I picked this book for the book review this month I wasn't sure what I was going find. I don't do much on a lathe (pens and mice, actually) and I have never attempted to make a bowl. I wasn't 100% sure that this was going to be a great book for me. What a pleasant surprise I received! Right from the start the author had my interest

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About the Author

Ron Roszkiewicz began his career in the woodworking industry 30 years ago with Woodcraft Supply. He became an integral figure in advancing woodturning in the United States by discovering and importing many of the innovative turning tools relied upon by woodturners today. He has also written "The Woodturner's Companion" and "The Woodturner's Art." He lives in Encinitas, California

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